“This Case Is Closed” originally aired as a special 90-minute episode of THE ROCKFORD FILES. Unfortunately, Universal’s DVD splits it into two separate 60-minute episodes, the same as when it airs in syndication. I’d rather have it in its original form, since Part 2 begins with an extremely long “Previously On” prologue that Universal added to pad the episode for an hour timeslot.
I’m guessing Stephen J. Cannell wrote it as an hour, because the episode really drags at two. Director Bernard Kowalski can’t be blamed for the interminable driving scenes that slow the pacing almost to a standstill nor for the pointless little pieces, like Rockford hailing a cab or stock footage of a medical emergency, used to stretch the episode beyond what the story could hold. Maybe it plays just fine at 90 minutes, but the two-hour version seen in reruns and on DVD is a letdown.
It’s really too bad, because the kernels of a good episode are here: an interesting mystery in which the audience doesn’t have any more information than Rockford does, some wry dialogue (mainly between Rockford and his various kidnappers), more cunning use of the Firebird, and a coup in guest star Joseph Cotten (CITIZEN KANE), the 69-year-old film legend who did not often do episodic television, but reportedly did “This Case Is Closed” as a favor to executive producer Meta Rosenberg.
Cotten plays Warner Jameson, a nasty millionaire who hires Rockford (James Garner) to find some dirt on his daughter’s fianc?, Mark Chalmers (Geoffrey Land, a regular in junky Al Adamson movies). A trip to Newark, New Jersey lands Rockford in a heap o’ trouble with the local cops and some finger-breakers who may be mobsters or may be Federal agents. Back in L.A., Rockford is kidnapped twice by members of organized crime, but is rescued the first time by F.B.I. man David Shore (James McEachin, who the season before starred in his own private-eye series, TENAFLY). Meanwhile, chipper Sue Jameson (Universal contract player Sharon Gless) has no idea her father is investigating her fianc? or that Mark may be the target of Mob hitmen.
Viewers may have been pissed off a year or so later, when Universal used the same script for a SWITCH episode, but with Robert Wagner playing “Rockford”. Ironically, Sharon Gless was a regular on SWITCH and got to play the same script twice.
The first time NBC aired “This Case Is Closed,” its competition on THE CBS FRIDAY NIGHT MOVIE was THEY ONLY KILL THEIR MASTERS, a 1972 mystery starring James Garner. THE ROCKFORD FILES topped it in the Nielsens.
Posted by Marty
at 10:52 PM CDT
OK, so now that everyone is gone, here's "Exit Prentiss Carr". It would be interesting if somebody were to keep count of all the times Rockford was either arrested or just harassed by the police. Jim manages to avoid the clink in this episode, but the small-town detectives played by venerable character actors Warren Kemmerling and Mills Watson (later to portray a more comedic corrupt cop in THE MISADVENTURES OF SHERIFF LOBO) do rough him up a little bit (“I bruise easy.”).
A definite must-buy is one of my favorite shows, period. Season 1 of MISSION: IMPOSSIBLE is coming to DVD in September. When it was first announced, I expected Paramount to start with Season 2, which was the year Peter Graves took over as the star. However, the studio is starting from the beginning, when the great Steven Hill headed a cast that also included Martin Landau, Barbara Bain, Greg Morris and Peter Lupus. Hill proved to be an enormous pain in the ass for everyone involved with the series, including executive producer Bruce Geller, who fought to cast Hill against the vehement wishes of CBS execs who didn't want him. Hill was basically fired before the season even ended, which was likely fine with all parties. Graves, already a dependable TV actor, became an international star through running the Impossible Missions Force for the next six seasons, so I'm sure he was happy to get the gig.
The beautiful Susan Strasberg was the main guest star in “The Countess,” in which she played Debbie Ryder, a former gangster’s-girlfriend who jumped bail in Chicago and ran off to Europe, where she met and married a count. After her husband’s death, she met another man, a rough-and-tumble American businessman (played by Art Lund, memorable as the corrupt cop who gave Fred Williamson such a hard time in BLACK CAESAR), married him, and moved to Los Angeles with him. There, she runs into smarmy Carl (game-show regular Dick Gautier), who recognizes her from her Chicago mug shot and blackmails her. “La Contessa” hires Rockford to get Carl off her back, which leads to a memorable scene where he tries (unsuccessfully) to physically intimidate the thug on a private beach (“I’ll come back here and pound sand down your throat.”). Carl is shot to death by a sniper, and police lieutenant Diel (Tom Atkins, later a John Carpenter regular) makes Rockford the #1 suspect.
ROCKFORD's second episode, "The Dark and Bloody Ground," is an interesting mystery based upon an arcane copyright law (still on the books?) that ruled that if an author sold the rights to his novel to a third party, but died before the copyright had lapsed, then the third party lost those rights--regardless of how much they had paid for them or how long they had them--and the rights reverted to the late author's spouse. I imagine this was a piece of trivia screenwriter Roy Huggins had picked up somewhere along the road and filed it in the back of his head as a possible story hook. He gave it to Juanita Bartlett, who penned her first ROCKFORD FILES teleplay from it.