Now Playing: THE ADVENTURES OF SUPERMAN

Better yet, a "Runaway Robot", as in the title of this episode of THE ADVENTURES OF SUPERMAN. A scatterbrained inventor named Horatio Hinkle (Lucien Littlefield) builds a robot that he can control using a large remote control device that contains a television screen. Why he builds it, I don't know, but he uses it to foil a jewelry store heist being carried out by a couple of mugs named Rocco and Mousie. How Hinkle knew about the heist, I don't know.
Inspector Henderson (Robert Shayne), never the sharpest mind among Metropolis' finest, jails Hinkle, even though it seems as though the jeweler who was held up would be able to vindicate him. Somehow, the real crooks, who escaped the robot's grasp, manage to steal the robot from the police garage (!) and take it to their boss, Chopper, who's played by Russell Johnson aka the Professor from GILLIGAN'S ISLAND.
Chopper decides to kidnap the Professor, now lounging on Clark Kent's couch, and force him to use the robot to break into a bank. Hinkle refuses, but that dumbass Lois Lane (Phyllis Coates) manages to get herself kidnapped as well, and Chopper threatens to go apeshit on Lois' face with a hammer unless Hinkle changes his tune.
Meanwhile, Kent (George Reeves), who appears to his friends to be sleeping during all this calamity, puts on his super-longjohns and flies to the crooks' hideout in time to beat the shit out of them and prevent the robot from smashing in the Professor's head (Professor Hinkle, not Gilligan's Professor).
This is not one of SUPERMAN's best episodes, although it provides a strong hint as to how future shows would play out. Under the supervision of producer Robert Maxwell, the black-and-white episodes of the first season were generally tougher and slightly more mature than the show would become. When Maxwell left the show, the series became more comical with Superman battling a bunch of idiot gangsters like the ones in "The Runaway Robot." It's hard to argue with the approach, as SUPERMAN stayed on the air for several more seasons, all in color, a total of 104 episodes from 1951-1957.

Many of you under-30s are going to think I'm full of shit, but I swear to you this is a real movie. Oh, for the days of THE ABC MOVIE OF THE WEEK, which, back in the '70s, served up a whole mess of deliciously silly and sometimes genuinely creepy and effective horror and science fiction movies. KILLDOZER, as you can imagine from its ten-cent title, falls into the "silly" category.
Of course, the concept is as hokey as the campy title implies, but no-nonsense direction by Jerry London and the professional cast's wise insistence upon playing straight makes KILLDOZER a lot more watchable than you might think. None of the actors has much more to do than look suspicious and act frantic, but the old pros pull off the silly proceedings with admirable aplomb, particularly Betz as a snarky jackass. Gil Melle's score adds some menace, while the teleplay by noted SF author Theodore Sturgeon and Ed MacKillop, based upon Sturgeon's lauded novella (producer Herb Solow lands a confusing "adaptation" credit), conjures up some creative methods for a bulldozer to murder people. Wainwright was just coming off his shortlived JIGSAW series, whereas Walker (CHEYENNE), Betz (THE DONNA REED SHOW) and Brand (LAREDO) were already well-known television leads. Urich's first series, BOB & CAROL & TED & ALICE, had been cancelled a couple of months earlier.